Skip to Main Content

National Library of Public Information Logo National Library of Public Information Logo

Menu
OnlineService OnlineService Search Search

Search

Reader Service

Book Boom Magazine No.175

2024 Sustainable Development Forum

 

2024永續發展論壇

Making sustainability a way of life

Written by/Hong Xin Huang Photographer/Zhen Feng Zhuang

 

The United Nations Climate Change Conference (COP28) to be held in Dubai in 2023 will also be a year of climate legalization in Taiwan. For the public sector, it will demonstrate Taiwan's determination to participate in global issues, while for the private sector, the diversified thematic activities will continue to shape the goals and directions of action for sustainable issues.

 

Making sustainability a way of life

 

As globalization accelerates and environmental issues intensify, sustainable development has become an important goal agreed upon by all countries. In the face of challenges such as climate change, social inequality and loss of biodiversity, the survival of human beings is under great threat. Therefore, it is expected that the promotion of sustainable development will be stepped up to ensure the quality of life of future generations, and both enterprises and individuals should actively work hard to realize this vision, work together to realize this vision, care for the earth, and create a green and sustainable road.

 

Reflecting on the value of a sustainable existence

 

“Sustainable development comes before sustainable development goals (SDGs).” According to Hsin Cheng Yeh, a professor at the Institute of Graduate Institute of Sustainability Management and Environmental Education, the SDGs are not simply a set of 17 items, but the core spirit of the SDGs encompasses diversity, inclusive development/inclusion, and no one left behind, and each of the goals is interconnected with the item’s underneath, which is a synthesis of the core concepts.

 

In 1987, the 42nd United Nations General Assembly issued the report Our Common Future, which defined sustainable development as “the process by which the basic needs and aspirations of human beings are met in a way that ensures that future generations will have the opportunity to flourish”. According to Hsin Cheng Yeh, human beings are the largest base of the economy, society and the environment. For example, the mass death of bees a few years ago was not due to climate change, but to the over-spraying of crops with pesticides, which shows that the impact of mankind is not to be underestimated. Most people have a lopsided framework for recognizing sustainability, and exaggerated information has a strong dramatic effect. Statements such as “extreme weather will flood the Taipei basin, and forest parks will disappear” are eye-catching, but do not conform to current scientific discourse. Do we really know what SDGs mean when they become so popular? Hsin Cheng Yeh hopes that the public will be willing to spend more time to understand the meaning of SDGs.

 

Reflecting on the value of a sustainable existence

 

International Climate Development Initiative (ICDI) Executive Director Kung Yue Chao said that climate change is the world's biggest challenge at this stage, but also a development issue, and how to reduce the impact of human behavior on the environment is a goal that countries still need to work on. Chi Jung Chiu Associate Professor of the Department of Forestry and Resources Conservation, NTU, also lamented that human damage to the environment has caused many problems. The greenhouse effect has increased the earth's temperature, and in 2023, Canada experienced the most destructive forest wildfires in history, resulting in the destruction of 15 million hectares of forest land, equivalent to 5.15 Taiwan, and the forced evacuation of 230,000 people from their homes.

 

Chi Jung Chiu hopes that the public will realize that “the conservation of biodiversity is in fact closely related to climate change” when talking about sustainability. In addition to minimizing human interference with the Earth, translating scientific theories into practical actions is also an issue that modern people must implement as soon as possible. According to the World Meteorological Organization (WMO), it is estimated that correct forecasting combined with appropriate adaptive measures can reduce the number of meteorological disasters by 10% to 30%, with a potential damage reduction of NT$1.5 billion to NT$4.6 billion annually.

 

Kung Yue Chao believes that climate change is also a development issue, and that it is important to minimize the impact of human activities.

 

The biggest challenge to minimizing damage is “climate prediction”. Chia Ping Cheng, director of the Central Weather Administration(MOTC), said that climate prediction includes the interaction of the atmosphere and the ocean, the entire Earth's operational process, which must be combined with technological simulation, the more difficult in the prediction, and the longer the prediction period, which also affects the accuracy of the “must learn to make the best decision under the uncertainty”.

 

Industry-Government-Academia Collaboration to draw a blueprint for sustainability

 

“Nature is a victim that has no voice and is being destroyed all the time.” Chi Jung Chiu said that after Taiwan's rapid economic development in the 1970s, the over-exploitation and utilization of land and sea, pollution from climate change, and invasion of foreign species have all been caused by human beings, and have deeply jeopardized the biodiversity in the long run. How to establish a stop-loss point? Chi Jung Chiu believes that we can start by avoiding and slowing down the damage, and then carry out restoration to gradually repair the dilapidated ecosystems and give animals and plants back their homes.

 

Chi Jung Chiu said 'Nature is a victim that has no voice and is being destroyed all the time.'

 

Nowadays, MOTC also integrates climate knowledge, science, change and forecasting applications into “weather services” to provide users with comprehensible information for management decisions. For example, in cooperation with the Ministry of Agriculture (MOA), MOTC provides customized forecasting services, and as of the end of 2022, there are already 345 agriculture-related forecasting points, including crop specialties, livestock production, and agricultural weather stations; or cooperate with the Ministry of Health and Welfare to launch the “LOHAS Weather” APP, which analyzes heat hazard indicators with big data, and provides health education on heat hazards. Chia Ping Cheng hopes that the MOTC can turn passive into active, and provide users with sufficient information to make application decisions, so as to achieve a win-win-win situation in terms of reducing risks, minimizing disasters, and creating benefits.

 

Chia Ping Cheng said MOTC also integrates climate knowledge and forecasting applications into “weather services” to provide users with understandable information for management decisions.

 

ICDI is planning to hold the 4th Climate Action Expo (TWCAE 4) from October 18 to October 20, 2024 at the Taichung Museum of Natural Science. With the theme of “Science-based Regional Climate Action”, ICDI will bring together the 8-county and city life circle in central Taiwan, and look forward to creating a diversified and inclusive field, and to find their own “sustainability superpower” through it. Through ICDI, all sectors will work together to create more sparks of sustainability, and utilize everyday situations to allow the public to naturally come into contact with and understand sustainability, internalizing it as part of their daily lives, and bringing sustainability closer to the public. We are looking for a healthier future for our feverish planet.

 

Ecological balance and social progress

Written by/Mi Chi Tsai

Photographer/Zhen Feng Zhuang

Photo by NLPI、NTMOFA、NMNS、NTT provided

 

Before the New Crown Epidemic, there were around 95,000 museums worldwide, hosting between 1 and 2 billion visitors annually, and these cultural and educational venues were not only temples of art and history, but also important drivers of climate action and sustainability. 2019 ICOM Kyoto General Assembly passed a resolution related to museums' sustainability, “Strengthening the Link between Museums, Communities and Sustainability”. It is important to note that the period from 2020 to 2030 will be the key “Decade of Action”.

 

NLPI's SDGs on the 4th floor read the corner. 

 

As global cultural infrastructures, cultural and educational venues play an important role in the United Nations' 17 Sustainable Development Goals (SDGs). Whether it's promoting environmental protection, social equality, or supporting educational development, they have the ability and responsibility to participate. They are not only disseminators of knowledge and culture, but also agents of social change, leading the public towards a sustainable future.

 

Wisdom Sustainability Knowledge Sharing

 

The National Library of Public Information (NLPI), the nation's first national digital public library, offers both physical and virtual reading services. “The limitations of museums to promote sustainability are similar to those of libraries.” NLPI's curator, Xiang Ping Ma, has adopted “five greens” as the goal of SDGs, and has set up a “Sustainability Promotion Group” to regularly discuss how to achieve net zero carbon emissions.

 

NLPI implements the sustainable energy-saving strategy of “green building” by installing solar power systems, using energy-saving lamps, and installing groundwater systems to reduce the use of water and electricity. NLPI has also set up the “SDGs Exhibition Area”, where physical book exhibitions on sustainability themes are organized on the basis of one indicator per month. The e-book exhibition will be organized with the e-book service platform “iLib Reader”, which combines online and offline resources to cultivate readers' concept of sustainability.

 

Xiang Ping Ma has set up a “Sustainability Promotion Team' to regularly explore ways to achieve net zero carbon emissions, with the goal of achieving the SDGs in the “Five Greens'.

 

Knowledge exchange Inspiring sustainable thinking

 

The library brings together wisdom from all walks of life, and experts from different perspectives explored how to promote sustainable development in their respective fields.

 

In addition, the Library has created the “iLib Guider” APP to assist patrons in self-service book searching and borrowing, and “green technology” measures such as self-service book reservation and pick-up shelves and mini-libraries to minimize patrons' queuing and waiting time and enhance the efficiency of borrowing and lending. The “Good Young Library for Teenagers” utilizes IoT technology to provide intelligent multi-functional spaces and the library's first generative intelligent librarian, “Xiao Shu”, to provide accurate and responsive services and share manpower.

 

The UNESCO Manifesto for Public Libraries states: “In order to fulfill the purpose of public libraries as a service to the community at large, they should be made available free of charge and on an equal footing. Libraries should be accessible to all without distinction as to race, color, national origin, age, sex, religion, language, appearance or education”. By caring for diverse communities through reading, such as providing book delivery services to prisons and social welfare organizations, and focusing on the reading needs of the elderly, NLPI embodies the importance of the role of libraries in sustainable development through “green caring”.

 

The Good Young Museum offers teenagers the opportunity to borrow space for practicing dance.

 

NLPI actively cooperates with “green partners” in the industry, government and academic sectors, such as the cross-border cooperation with the famous baseball team “CTBC Brothers” to organize the “Reading Home Run”, which combines baseball and reading, and is committed to promoting the culture of reading. Xiang Ping Ma emphasized that “wisdom, sustainability, and cooperation” is the development vision of NLPI, and also the responsibility and mission as a model of the national public libraries. In the future, NLPI will continue to create a new path of sustainability through the “Five Greens” and work with all sectors of the community to promote sustainable development.

 

Bridging sustainability and brightening green hope

 

The National Museum of Natural Science (NMNS) is facing many challenges in promoting sustainability, said Chuan Jin Chiao, director of the NMNS, adding that the increase in the number of visitors to museums has led to a dilemma in terms of the environmental damage caused by the increase in the number of visitors. In addition, museums are often old buildings, and the NMNS is 38 years old, and require a lot of energy to maintain a constant temperature and humidity environment to preserve their collections.

 

The challenge for NMNS is to reduce carbon emissions and resource consumption while promoting sustainability. “We are conducting a carbon inventory to develop a pathway plan for net-zero emissions, which we hope to achieve by 2050”. Through green purchasing and digital curation, we will minimize the negative impact on the environment while increasing the attractiveness and educational value of our exhibitions.

 

Chuan Jin Chiao said the challenge for NMNS is to reduce carbon emissions and resource consumption while promoting sustainability.

 

Chuan Jin Chiao details NMNS's initiatives to promote the SDGs. In terms of health and well-being, NMNS emphasizes on the physical and mental health of its staff; in terms of quality education, NMNS promotes the Digital Transformation Project, and organizes a wide range of educational promotions and seminars; in terms of clean drinking water and hygiene, NMNS provides safe water and promotes water recycling; and in terms of energy conservation, NMNS is replacing old air-conditioning equipment, and is also promoting green power procurement and energy-saving exhibition activities.

 

The ongoing “Climate Action - The Global Boiling Times” special exhibition at NMNS, through high-tech displays and immersive experiences, will enable the public to understand the impacts of climate change and inspire them to take part in climate action. We look forward to working on all fronts to inject sustainable energy into environmental protection.

 

The special exhibition “Climate Action - Global Boiling Times” combines physical scenery, objects and specimens to guide the public to understand climate change through multiple perspectives.

 

Combining technology and art to compose a green symphony

 

The National Taichung Theater (NTT), designed by Japanese architect Toyo Ito to serve the arts, is an open building that integrates the interior and exterior of the building with a return to nature. opened in 2016, NTT is now facing the challenge of sustainability by utilizing the power of technology, and by 2022, NTT will be introducing the ISO 50001 energy management system. Through visualization and monitoring data, NTT will carry out improvement plans accordingly.

 

Chi Pin Yen, Deputy Director of NTT, said, “We found that air conditioning accounted for 50% of NTT's energy usage, so we decided to start from here. NTT replaced the existing 500-refrigerated-ton (RT) fixed-frequency chilled water mainframe with two 300-refrigerated-ton (RT) variable-frequency mainframes, which can be flexibly adjusted according to the demand, and has successfully reduced energy consumption. In addition, NTT will complete the “ISO14064-1 Greenhouse Gas Emission Verification” in 2023 and publish the “NTT Carbon Inventory Practice” at COP28.

 

In addition to hardware equipment, NTT also actively promotes green theater. For example, NTT has introduced a carbon reduction model for the production of Jungle Book Reimagined by the British Akram Khan Dance Company. For example, NTT has introduced the Jungle Book Reimagined by the British Akram Khan Dance Company, and the 2023 New Art Project's “Can You Like Me Before I Fade Away? In collaboration with the Doctor of Philosophy at National Chung Hsing University, the company has designed an “electric floor” installation, which responds to the international trend of sustainable theater with a zero-carbon emission, body-generated electricity participatory performance.

 

2023 NTT Arts NOVA New Art Project "Can you like me before you die?" A large number of LED lights are embedded in the floor and the installation, turning the electricity generated by the performance into a light source for the entire show. The electrical energy generated by the performance is transformed into a light source for the entire show.

 

Regarding sustainability, everyone can be a champion of action: NTT2023 has set up a Sustainability Team, which is a cross-departmental organization that contributes creative ideas and action plans, “Make a wish, and we will find a way to fulfill it together. Chi Pin Yen expects everyone to utilize their ingenuity in sustainability actions to build a green future.

 

Combining technology and art to compose a green symphony

 

The National Taiwan Museum of Fine Arts (NTMOFA), the nation's largest public art museum, has extensive exhibition space and storage, and currently houses more than 20,000 works of art. Preservation of these works of art requires a constant temperature and humidity environment, which results in significant costs for exhibitions, setup, and transportation each year.

 

Chia Cheng Wang, Deputy Director of NTMOFA, explained that in terms of digital application, NTMOFA has introduced RFID system to manage the collection and utilized low power consumption IoT environment monitoring system. NTMOFA has switched to QR Code scanning for visitors to facilitate crowd control, and the attached library promotes e-resources by opening up remote access to enhance the efficiency of resource utilization.

 

NTMOFA also incorporates the concept of environmental sustainability into its exhibitions and programs, such as the sustainable setup used for the Children's Day program, which was carried over to the 36th anniversary celebration. “We also have a collection of environmentally relevant artworks, through which we communicate our concern for the environment.” In order to be environmentally friendly, we will gradually increase the recycling and reuse rate of wood in the exhibition halls, and utilize a digital system to monitor the temperature and humidity in the exhibition halls to save energy. NTMOFA also plans to install solar panels on the roofs of the exhibition halls, which will generate more than 200 kilowatts of electricity annually. Collection packaging and transportation materials will be partially recycled and environmentally friendly to reduce the carbon footprint.

 

NTMOFA is currently presenting “The Sea” at the exhibition space “U-108”, an immersive experience that reflects on the issue of ocean pollution and evokes the public's reflection on environmental protection.

 

NTMOFA's current exhibition “Sea” at the exhibition space “U-108” uses immersive experiences to reflect on the issue of ocean pollution and to arouse the public's reflection on environmental protection. Although there are still many challenges to environmental sustainability, NTMOFA will continue its efforts to show its determination to coexist in a friendly manner with the earth.

 

Cultural and educational venues are indispensable partners in the promotion of sustainable development. From NMNS's Carbon Emission Reduction Program to NLPI's Five Greens, to NTT's Intelligent Energy Saving and NTMOFA's Eco-Art, the venues have demonstrated the profound connection between culture and environmental protection through their practical actions, and have led the trend of sustainable development to create a sustainable and beautiful green world for the public.

 

The Ghost in the Shell -New Media Art Exhibition

Written by/Jui Chu Lin

Photographer/Zhen Feng Zhuang

 

The National Library of Public Information, in collaboration with the National Palace Museum, has organized a unique exhibition entitled “The Ghosts and the Devils - A New Media Art Exhibition”.

 

The National Treasure painting “The Three Taoist Officials Making an Inspection Tour” was re-interpreted with AI technology tools, combining the imagination of the ancients with the creativity of the modern people, resulting in an astonishing exhibition.

 

The exhibition will be on display starting August 6 in the Art & Culture Gallery on the 1st floor of NLPI.

 

July 1 of the lunar calendar is the day when the door to the ghosts opens wide, and good brothers come from the underworld to the human world for a whole month. People in the Yang world treat them to incense, snacks and food, and organize Pujas in response to the arrival of the ghost beings. According to Buddhism, July is the “Month of Repayment of Gratitude” and “Month of Filial Piety,” and it is a time when people pray to make good karmic connections through the return of merit.

 

The National Library of Public Information (NLPI) is responding to this special month by organizing a unique exhibition in collaboration with the National Palace Museum (NPM) and National Formosa University.

 

Beginning August 6 and continuing through December 18 at the NLPI's 1st Floor Arts Gallery, visitors will be able to view “The Three Taoist Officials Making an Inspection Tour” from the NPM's collection depicting the gods of heaven, earth, and water, The exhibition will stimulate the imagination of the public.

 

At the same time, NLPI also introduces the temples of the Three Taoist Officials cult in the 5-kilometer radius of NLPI, where the public can make a pilgrimage according to the map, thus experiencing a different kind of art and culture tour from the ordinary ones.

 

Through this exhibition, the curatorial team hopes to stimulate the public's imagination to explore the relationship between religion and art.

 

The only dynamic performance in the palace collection

 

The curatorial team responsible for the design and planning of the event said that the pictures of the San guan in collections around the world are usually pictures of people sitting upright in temples, but the only one that combines the three realms into one picture with dynamic expression is the one in the collection of the Forbidden City, which shows its preciousness and special features.

 

In fact, the belief in the three gods is very common in Taiwan, and they are the heavenly, earthly and water officials second only to the Jade Emperor in Taoist beliefs. In Taiwan, it is common to see temples dedicated to the “Three Realms of the Lord”, “Three Realms of the Grandfather”, or the “Three Realms of the Great Emperor”, all of them are aliases of the three gods, which are rumored to be responsible for evaluating the merits of the beings in the heavenly realm, earthly realm, and water realm respectively, and to be able to bestow blessings, eliminate disasters, and relieve misfortunes.

 

The curatorial team then explained in detail that the painting is divided into three layers, namely the upper, middle and lower layers, depicting the patrol teams of the San guan in the Heavenly Realm, the Earthly Realm and the Water Realm.

 

Through this exhibition, the public will be able to understand more about the cultural beliefs of San guan.

 

The composition of the three teams appears to be similar, with examiners leading the way, examiners holding books and soldiers carrying flags, but there are also unique features in each sector, such as an immortal with a third eye growing out of his forehead in the heavenly realm, amusing ghosts on the earthly realm, and monsters and spirits in the watery realm in the guise of fishes, prawns, frogs, and clamshells, fully demonstrating the different forms of living beings in the heavenly, earthly, and watery realms, and the artist's rich imagination in the realms of immortals and spirits. The artist's rich imagination of gods, fairies and ghosts is demonstrated.

 

According to research, this painting may have been used as an altarpiece for Taoist ceremonies in the palace. Scholars have compared the literature of Taoist classics and their painting techniques, and hypothesized that this painting was produced in the Yuan or Ming Dynasty, which shows that the ancients had a rich imagination.

 

What makes this exhibition different from the previous ones is the introduction of AI technology and the visualization of images of gods, ghosts, spirits and monsters, in the hope that it can stimulate the imagination of the visitors to develop their own creative worlds through participation in the on-site DIY learning area, and this is the main purpose of NPM's planning for this exhibition.

 

Special Exhibition Reinterprets National Treasure Paintings with AI Technology Tools.

 

Combined with AI technology to stimulate the imagination

 

The extended DIY experience of the exhibition will start with “The Three Taoist Officials Making an Inspection Tour” and combine it with new media art, inviting the audience to extend the meaning of the painting from the mood, scenes and details in the painting, and through the demonstration of scriptures and Taiwanese festivals and rituals, it will lead the audience to think about the connection between the reality of their daily lives and the unknown world, and to imagine the connection between the real and the unknown world, and to feel their own latent fear of the unknown world.

 

The exhibition also invites the audience to utilize modern AI tools to combine their personal creativity with public wisdom, and to see what possibilities they can bring to the unknown and to their daily lives. For example, in the interactive installation “Beyond Human Beings”, there will be six rotating 3D models of Heavenly Officials, Earthly Officials, Water Officials, Heavenly Examiners, Ghost Pawns, and Dragon Kings, and the audience will press their palms against the illuminated area in front of the screen, the 3D models will stop rotating, and a vaporization effect will appear, and the corresponding poems and stickers will appear, through which the audience can learn about the worldview of the characters of the artwork.

 

The gods, ghosts, and monsters that he has heard about for years but never seen before are visualized, and the rich and vivid imagination is used to create an ever-changing otherworldly world.

 

It is a ritualistic interactive installation that inspires the audience to imagine the existence of ghosts and spirits.

 

The curatorial team is particularly attentive to how to stimulate the imagination of the viewer, for example, what should a fish look like if it has become a spirit? Is it a man, a fish, or a monster? All these are naturally stimulated through the process of viewing the exhibition, and the imagination of the viewers will be different from each other.

 

For example, in the lower right corner of the work, there is a group of fish and shrimp elves holding treasures in their hands. The fins of the fish elves in the painting are transformed into hands, which can not only carry plates, but also coral. This is the imaginative power of the artist who, according to religious rituals, visualized the gods, ghosts, elves and monsters that he had heard of but had not yet seen, and created this wondrous work of art with his rich and vivid imagination. Through the appreciation of the paintings and the interpretation of modern technology, it is possible to re-create an extraordinary world of gods, ghosts, spirits, and monsters in a myriad of variations.

 

Through the display of scriptures and Taiwanese festivals and rituals, the audience is guided to imagine reality and connect with the unknown.

 

The exhibition introduces AI technology to visualize images of gods, ghosts and monsters.

 

Theme-based performance reenacting the parade of gods and ghosts

 

The opening performance of the opening ceremony was also very appropriate, inviting the outstanding performing arts team of Taichung City to create a customized theme-based opening performance, presenting a multi-layered style of the San guan' beliefs and interpreting the spirit of respecting heaven and thanking the earth. The opening performance kicked off with a solemn and sacred General of Heaven commanding the San guan, followed by a dance performance by the fairies to convey joy and blessings, and finally a dance performance to reenact the Heavenly Officials, Earth Officials, and Water Officials on their rounds with all the deities and ghosts, presenting the graphic portraits in a vivid and dynamic way.

 

NLPI hopes that the exhibition will help the public understand more about the San guan culture and beliefs. The reading seminar also invited Prof. Feng Mao Li, a renowned Taiwan religious scholar, Academia Sinica's Academician, who also holds the dual status of scholar and certified Taoist priest, to share his views.

 

A themed opening performance with a sacred and solemn atmosphere.

 

Feng Mao Li elaborated on the close relationship between the San guan faith and Taiwan's local society, not only as the guardian temple of many settlements, but also as the center of faith in many communities to this day. He also summarized the spirit of the San guan faith from ancient texts, so that the audience would have a better understanding of how the San guan faith affects the customs and culture of daily life.

 

At the same time, we will analyze the delicate brushwork and aesthetics of“ The Three Taoist Officials Making an Inspection Tour”, and appreciate this work of art from a different perspective, which also adds to the mysterious beauty of Oriental culture to this exhibition.

 

Top